Dartmo.

• Inside Higher Ed has a review of Bryant Tolles’s new book, Academic Architecture in New England. The book, based on Tolles’s 1970 dissertation, provides the best coverage available anywhere of Dartmouth’s original buildings.

• A new book about the work of alumni firm Rogers Marvel is available.

• Dartbeat has a map of warmcuts around campus. What is a warmcut? It’s a shortcut that won’t save you time but will let you stay indoors as much as possible.

• The college publicity office has an article on the 50th anniversary of the Hanover Conservancy, formerly the Hanover Conservation Council. The group manages the Mink Brook Nature Preserve and other areas.

• The Four Aces Diner in West Lebanon has reopened (Valley News).

• Eli Burak, whose work has been linked here, is the new official college photographer following the retirement of Joseph Mehling (The Dartmouth, Facebook video (via Dartmouth Now)).

• The story of the Chicken Farmer I Still Love You graffito, in the Valley News.

• Dartmouth’s investment in sustainability (The Dartmouth) is likely to create problems when it encounters the college’s interest in preserving the historic windows still found in many campus buildings.

• A solar-powered blue emergency phone (Dartmouth Planning).

• Historic photos of Main Street businesses. Note the Dartmouth Bank Building before the arches were added to the front and after the arches were added (but before the building was raised by one level). More of this building and others north of Lebanon Street appear in a slide show from the Hanover Bicentennial parade on July 4, 1961 (via the Planning blog). Also in the slide show is an interesting shot of the buildings that preceded the Nugget Arcade.

• Is the Watershed Studio’s listing of a Ledyard Canoe Club project a reference to a replacement building, a renovation, or something else?

• The Co-op Food Store at the roundabout on Lyme Road is the subject of some detailed information provided by ORW.

• In Norwich, Vermont’s ex-village of Lewiston (see the Rauner post) is a street that was recently named Ledyard Lane (Google Maps). The street leads to the depot, which is still standing, and one presumes it was previously called Depot Street. How strange to see John Ledyard’s name migrating via the bridge across the river to a site he had nothing to do with.

• An interesting granite monument is set in the ground at the northwest corner of Lebanon and Summer Streets (Google Street View). The “H” must stand for Hanover, but why here? Is it a former town line? Doubtful. Perhaps a former corner of a town-owned parcel.

• The Rauner Library Blog has a post on the development of the Synclavier and the origins of the Bregman Electronic Music Studio.

• The latest college map (pdf), released in August of 2010, is the first to show the LSC, ’53 Commons, the VAC, 4 Currier, and other novelties. The map also strangely misnames more than a dozen Greek houses in an apparent attempt to Romanize or transliterate the Greek characters of their names (via Jonathan). Visually, the map might be improved if the ground were shaded and the symbols indicating accessible entrances and restrooms were made less obtrusive. And one might hope that the mustard yellow of the buildings could be replaced with gray, brown, or green.

• Dartmouth has been digging up the small lab animals that were buried in mass graves at the Rennie Farm during the 1960s and 1970s (Valley News).

• Dartmouth Now writes about the last male descendant of Eleazar Wheelock.

I. Aerial films

Dartmouth Now has posted a video of a campus flyover taken from a helicopter. While most aerial photos look from south to north, this video skirts the northern and eastern edges of the campus. Things look different from this new perspective:

See also the helmet cam video of a parachutist landing at Memorial Field to start the Columbia game on October 22 (via the Big Green Alert blog).

II. Street View: Paths and Passages

Google has added the results of a sortie by one of its human-powered tricycles to its visual representation of Dartmouth’s campus. At least one trike visited about a year ago. Here is the view from the center of the Green.

The tricyclist took a curious detour to the rear of the NAD House and traversed the bridge to McCulloch Hall. He managed to ride under the Bildner Hall portico, onto the running track at Memorial Field, through the Hood Museum gateways, and along Mass Row.

Who knew that this little village lane meandered around the back side of College Park?

The rider’s reflection appears in the windows of the Berry Sports Center and the MacLean ESC. When he stands up to pedal up the hill north of the McLaughlin Cluster, you can see his helmet, and the camera has a brush with some tree branches along Maynard Street.

I. The Dartmouth Company

Curiously, there is a Boston-based real estate company called The Dartmouth Company. It makes good use of serifs and a dark green color on its website and seems to operate in New Hampshire. See also the more obvious reference to the college at the Dartmouth Education Foundation.

II. The Arms of Dartmouth’s Schools

The Dartmouth College website seems to be doing something new when it describes the institution as a collection of five apparently equal schools:

The harmonization and use of the schools’ shields is commendable.

But this arrangement seems to contradict the rule that Dartmouth is the college. The “Associated Schools” — Tuck, Thayer, Medical, and lately the graduate programs — are associated with the college but are not coequals beneath a central university administration. Because “Dartmouth” is the undergraduate college, there is no need to put the letters “CA&S” before one’s class year, for example.

Tom Owen writes in The Dartmouth today:

In the discussion following Kim’s address, Provost Carol Folt said there is a “complicated set of reasons” for the gap between Dartmouth’s national and international rankings. Two of the major contributing factors are Dartmouth’s lack of a “university” title and Dartmouth’s focus on undergraduates, both of which have hurt Dartmouth’s international reputation.

[...]

Although large-scale changes may be necessary in the next decade, alumni must see new developments as part of an institutional history of adaptation rather than as a threat to tradition, Kim said.

The school’s Quartomillennium celebration in 2019 would be a good time to launch something new.

[01.25.2012 update: Education Foundation link added.]

• The Real Estate Office’s new office building at 4 Currier, designed by Truex Cullins, was awarded a LEED Silver rating.
• College Photographer Joseph Mehling ’69 is retiring (The Dartmouth). Among hundreds of college-related projects, Mehling provided the photos for the Campus Guide.
• The Rauner Library Blog notes that the Freshman Book – the Shmenu – was last printed on paper in 2009.
• CRREL, the Army’s Cold Regions Research and Engineering Laboratory north of campus, was giving tours recently (Valley News).
• Old fire insurance maps of American cities and towns produced by the Sanborn Map Company are invaluable to historians. A post at Bibliodyssey features the elaborate designs displayed on the title pages of Sanborn maps.
• According to hikers interviewed for an article in The Dartmouth, all of Hanover’s mile markers for the Appalachian Trail are inaccurate. Experience with the Milepost on a couple of drives up the Alcan suggests that the inaccuracies result from the practice of rerouting the trail.
• The watering trough that once occupied the southwest corner of the Green is featured in a post at the Review.
• The ongoing basketball office renovations in the Berry Sports Center are planned to include a “display of Dartmouth basketball history and tradition” (Valley News).
• The Dartmouth had an article back in May about how Rauner librarians hope that the players of new metadata games will help them attach information to untagged photos.
• Randall T. Mudge & Associates Architect has exterior and interior photos
  of the Dragon Senior Society hall. The interior paneling, taken from Dragon’s 1931 hall behind Baker, really does look like a Larson & Wells product.
• The site What Was There brings rephotography into the digital era by superimposing historic photos on Google Street View images.
• Yale’s new residential colleges site has a nice site map (pdf) showing existing colleges and site of the two new colleges designed by architecture school dean Robert A.M. Stern. The Grove Street Cemetery really is in the way…
• An article explains the move from the old hospital north of Maynard Street to the new DHMC complex in Lebanon 10 years ago.

Thanks to DADA for including the book in the inaugural exhibition. Thanks for citations by Bryant Tolles, in Architecture & Academe: College Buildings in New England before 1860 (UPNE, 2011), and the Rauner Library Blog, in a post on Dartmouth Hall.

Thanks also to T. Barton Thurber for the citation to the Rich thesis in European art at Dartmouth: Highlights from the Hood Museum of Art (UPNE, 2008).

The catalog from the 2011 DADA Exhibition is now available (pdf) and provides some fascinating information about alumni in design.

For example, Domus, the Hanover firm that designed the new Sigma Phi Epsilon house, includes Marty Davis ’69, Bruce R. Williamson ’74, and Bill Keegan ’75.

Canaan architectural blacksmith Dimitri Gerakaris ’69 (art-metal.com) created the copper pediment atop the Rockefeller Center porte-cochere, the Rugby Clubhouse interior bas-relief, and the railing outside Baker’s 1902 Room.

The poster was designed by Emily Yen ’10 of Hanover and Anchorage.

Thanks to author Sue Reed and to DADA for permission to post the catalog.

A graphical article based on research by Barbara Krieger in the July/August Alumni Magazine nicely covers a larger exhibit in the History Room in Baker. It is good to see the site for the amphitheater named as Murdough rather than the Bema, which is the site that that drawing is usually said to describe.

One or two quibbles: the 1931 courtyard Inn on page 53 was meant not not the Robinson Hall area but for the Spaulding Auditorium site, as is shown on the exhibit’s Dartmouth House Plot Plan. The gateway shown in the Larson drawing would have faced east, and Lebanon Street is depicted on the left of the drawing. (The main block of the current Inn was completed in 1967 rather than 1887.)

The focus on the Dartmouth Hall cupola is a bit of a wild goose chase. The plans depicted are by William Gamble and show a masonry building that was never built. Dartmouth Hall was built from some other plans, long since lost, that almost certainly showed a cupola. Those plans might or might not have been by Gamble and probably were not by Peter Harrison. (The cupola that Tucker admired was probably a somewhat different midcentury replacement for the original.)

Here is an image that did not make it into the article, a pre-Leverone proposal for a field house by Eggers & Higgins:

Wow. That is a view to the southeast from above the gym. South Park Street runs behind the field house, and the field in the upper right corner is the site of the later Leverone Field House.

The article quotes Eisenhower on “what a college ought to look like.” Conan O’Brien recently paraphrased this commentary while adding something of his own:

It’s absolutely beautiful here, though. It is the quintessential college cam-… American college campus. It does look like a movie set.

(Video, at 1:27.)

A new group called DADA – Dartmouth Alumni in Design and Architecture has formed, and it’s holding an exhibition of work by alums from June 11 through June 19.

(Via Sue.)

Dartmouth’s Flickr stream has photos of the installation of furniture in Baker’s main hall.

The Valley News has set up a site dedicated to Hanover’s 250th anniversary this July 4th. The site announces that Jay Barrett is giving several talks, gives a schedule of town events, and links to the town’s Flickr account where historical photos are kept.

Graduate Studies at Dartmouth (or “the Graduate Studies programs,” collectively lowercase) haven’t given the impression that they form a single school or college. Over the past several years, however, they have unified under a logo comprising the Old Pine, likely derived from the Bicentennial Flag, inside an oval. The oval logo is reproduced in a prior post and is vestigially visible on the current Grad Studies site.

Now Graduate Studies have a new coat of arms with a kinship to those of the other schools:

Graduate Studies coat of arms, from Graduate Studies

This shield has a woodcutty form similar to that of the recent Thayer School arms. The year “1885″ (I think) in the base would be the year that Dartmouth granted its first Ph.D. degree; there is no singular institution here to claim a foundation date. (Some sources have Dartmouth giving a Ph.D. in 1877 to astronomer John Robie Eastman of the Chandler class of 1862.)

This iteration seems to place the numerals with a bit more success, from the DCHCDS site:

Graduate Studies coat of arms from DCHCDS application

The white pine is carried over from the earlier oval logo, and below it the lines of the New Hampshire hills create a depression rather than the rising hill (a peak of enlightenment to be ascended, etc.) found on Dartmouth’s seal. The lines also read as a pair of cradling hands.

It turns out this coat of arms is the product of a competition held last October. The competition brief required a representation of waves (have I misread those lines? The tree is growing out of the upper line) and referred contestants to the shields of Tuck, Thayer, and DMS — but not of Dartmouth itself. The brief also required entries to show the year 1960, which is when the current crop of grad programs began, and that must have been regarded as the “founding” year when the brief was published. There is a discussion in the comments about the advisability of dividing the year into two pairs of numbers, and some question about how and when during the competition the year 1885 was substituted for 1960.

All of the competition entries are available for viewing. Several alternate between the Grad Studies pine and the Bicentennial pine; several follow the Tuck School example fairly closely. One from SB Design deserves credit for depicting Wentworth Hall, the Grad Studies headquarters. Another sort of quarters the arms of the three Associated Schools, using the paths on the Green to divide the shield. The winning designer was Scott Gladd. (He has some alternative versions, including an intriguing one with Baker Library, in his portfolio.)

Now the logotypes of Dartmouth and its Associated Schools and related entities, as they are lined up at the bottom of the DCHCDS site, are one step closer to complete congruity. Only the hospital, the Institute for HP&CP, and the DCHCDS itself are without coats of arms.

Isn’t this interesting. Where the symbols of the appropriate programs are lined up for an online application form, both DIHPCP and DCHCDS (noted above as lacking logotypes) are represented by Dartmouth’s shield:

Row of logotypes from application.

[Update 04.25.2011: Minor wording changes and date correction.]

[Update 01.22.2011: Second image replaced with better version; note about row of four logotypes added; competition information added.]

Board chairman Stephen Mandel’s January 13th letter to the Dartmouth community mentions so many new spaces going into the renovated Inn that the building’s envelope surely must be expanding:

In addition, the “front door” to the College, the Hanover Inn, is planned to undergo a complete renovation beginning this summer. Every aspect of the inn will be touched and will result in a larger number of guest rooms, all updated, new and relocated restaurants, and modern conference facilities. The College remains the owner of the inn but we have hired a third party to manage the inn. The renovation will be funded with mortgage debt and the proceeds of the sale of the Minary Conference Center in Holderness, N.H.

The idea of having a standard conference center near Hanover has been mentioned in past master plans:

Finally, the College is exploring the feasibility of a regional conference center to further enable the dissemination of scholarship.

Lo-Yi Chan, et al., Dartmouth College Master Plan (2002), 10 (11.3mb pdf).

A conventional conference center could probably be a moneymaker, but it is hard to see how could fit on the corner of Wheelock and Main.

December of 2010 marks the unofficial beginning of this website’s fifteenth year. For the anniversary, I will be posting a bit about the history of the site and will try to clear the shelves of a few old and unfinished article ideas:

1. The Upper Valley Subway Map
2. The full text of William C. Hill’s Dartmouth Traditions (1901).
3. The Indian origins of “When Shall We Three Meet Again?”
4. A non-proposal for dividing Dartmouth into a federation of residential colleges
5. The gates of Dartmouth
6. The other Hopkins Center

Thanks to Alex Hanson for the coverage in the Valley News.

[Update 01.16.2011: Links to items 3 and 5 and coverage added; post made non-sticky and publication date changed from December 1, 2010 to January 16, 2011 to put it in order.]

[Update 01.22.2011: "This month" changed to "December of 2010" for clarity. Capitalization changed in titles.]

Background

Dartmouth’s graduating seniors still hold their annual Class Day event in the Bema and at the Old Pine, in College Park, as they have done since the 1850s or even the 1830s.

Although students do not sing it today, for a number of decades beginning by the late nineteenth century the students sang a well-known hymn called “When Shall We Three Meet Again?” at Class Day or at other events, such as Dartmouth Night. The lyrics involve three people parting around a “youthful pine” and vowing to meet again there in the future, so it must have seemed appropriate.

Around the time it was first sung at a Dartmouth event, or probably before then, the song appears to have become associated with Dartmouth in the popular mind. Most accounts acknowledged that the connection was legendary, but the idea was that three eighteenth-century Indian graduates wrote the song as they parted ways around a memorial pine tree, perhaps the Old Pine itself.

The Lyrics

“A PARTING HYMN, Composed by three Indian friends, (who graduated at Dartmouth College) at a favourite Bower.”[1]

When shall we three meet again?
When shall we three meet again!
Oft shall glowing hope expire —
Oft shall wearied love retire —
Oft shall death and sorrow reign.
Ere we Three shall meet again.

Though in distant lands we sigh,
Parch’d beneath the hostile sky;
Though the deep between us rolls,
Friendship shall unite our souls,
And in Fancy’s wide domain
Oft shall we Three meet again.

When our burnish’d locks are grey,
Thinn’d by many a toil spent day;
When around this youthful Pine,
Moss shall creep and Ivy twine;
Long may this loved Bower remain —
Here may we Three meet again.

When the dreams of life are fled,
When its wasted lamps are dead —
When in cold Oblivion’s shade,
Beauty, wealth and fame are laid—
Where immortal Spirits reign,
There may we all meet again.

The Kashmir Connection

The earliest publications found are from Boston[2] and London,[3] both dating to 1807. Both publications attribute the hymn to “a Casmerian Indian.” U.S. publications continued to attribute the hymn to “a Cashmerian Indian” into the 1820s.[4] The reference to a Casmerian (i.e. Kashmiri) Indian appears to place this particular air within the broader genre of the “Hindoostanee air.”

A Hindoostanee air was a European (especially British or Anglo-Indian) transcription of a traditional Indian song that was sung by dancers in houses or court festivals in India during the late eighteenth and early nineteenth centuries.[5] While those transcribing the music were often British women, the lyrics were typically translated by local translators, often with an eye to authenticity.[6] Hindoostanee airs became part of British popular culture, and Byron wrote a poem called “Stanzas to a Hindoo Air” in 1822.

So that’s it: Dartmouth’s old-time farewell hymn might have been written on the Indian Subcontinent centuries ago and translated for English ears in the early nineteenth century, its “Indian” authorship giving rise to confusion soon after its publication in the U.S.

[2] [Attr. a Casmerian Indian], “An Original Air,” The Emerald, or, Miscellany of Literature, Containing Sketches of the Manners, Principles and Amusements of the Age 1:10 (26 December 1807), 113.

[3] [Attr. a Casmerian Indian], “An Original Air,” La Belle Assemblée: or, Bell’s Court and Fashionable Magazine, Addressed Particularly to the Ladies 3:[1] (July 1807), 47.

[4] See [attr. a Cashmerian Indian], “When Shall We Three Meet Again?”, Christian Register 3:18 (12 December 1823), 72; [attr. a Cashmerian Indian], “When Shall We Three Meet Again?”, The New-England Galaxy and United States Literary Advertiser (5 December 1823), 6, no. 321. Some 1820s publications asserted that the “Cashmerian” attribution must be incorrect because the lines must be of American origin. “An Elegant Morceau,” The National Recorder 3:23 (3 June 1820), 366. Other early publications credited the hymn to “a lady” or “a lady at thirteen years of age.”

[5] Ian Woodfield, Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society (New York: Oxford University Press, 2001), 157-158.

[6] Nicholas Cook, “Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn’s Folksong Settings and the ‘Common Practice’ Style,” in Martin Clayton and Bennett Zon, eds., Music and Orientalism in the British Empire, 1780s-1840s: Portrayal of the East (Aldershot, U.K.: Ashgate Publishing Limited, 2007), 13-14.

The Dartmouth Winter Carnival turns 100 years old in 2011 (Yankee Magazine has an article and slideshow, and Dartmouth Now has an article with video). A new book celebrates Carnival posters (see Rauner Blog). Accompanying the book is an exhibit in Baker (news item, Alumni Magazine has article, photo in the college’s Flickr photostream).

This year’s center-of-campus statue is an attempt to recreate the first official sculpture, of 1925 (The Dartmouth).

[Update 01.22.2011: Links to articles in Dartmouth Now and The Dartmouth added.]

Wallace Harrison’s Hopkins Center is not just the latest in a long line of buildings planned for the spot south of the Green, it is the third of three theater complexes honoring Ernest Martin Hopkins proposed for that site. The first was designed in the late 1930s, and the second was a refreshed version of the first put out after the war, both by architect Jens Larson. The postwar version was put on hold, and by the time momentum increased again in the early 1950s, Larson had left, the Georgian idiom had gone out of fashion, and new people (notably Nelson Rockefeller) had become involved.

1.

A 1947 film about Dartmouth made available by the college has several shots of a large model of Larson’s postwar Hopkins Center design. The shots begin about 9:38 into the film.

The men shown discussing the model are identified as Treasurer Halsey C. Edgerton and advisory building committee chairman Professor Russell Larmon, with Hopkins Center Committee executive secretary Robert Haig also appearing.

This plan of the 1939 version is marked with the locations of the photos below. (The plan and a section are from Warner Bentley’s article “The Dartmouth Theatre,” Theatre Arts Monthly 22:4 (April 1939), 306-309.)

The narrator tells us that the proposed $3.5 million Ernest Martin Hopkins War Memorial Center will have a main auditorium seating 3,000 and ancillary spaces for music, drama, radio, “and allied activities.” When the present Hop was built, the site was enlarged, the film and broadcast functions were reduced or eliminated, and the auditorium was reduced and swapped with the theater at the bottom of the site. Perhaps the most notable difference is in the way the projects treated College Street: the model in the film not only preserves the street but places the entrance to its Little Theatre on it.

2.

3.

4.

5.

6.

Download

Download a pdf version of William Carroll Hill’s 1901 book, Dartmouth Traditions.

About the Book

William Carroll Hill (1875-1943?), of Nashua, N.H., received his Bachelor of Letters degree, a degree offered only between 1884 and 1904, in 1902. He was the historian of his class and wrote the Chronicles section of the the 1902 Class Day volume, a book that the printer gave the appearance as Dartmouth Traditions. Hill became an antiquarian, genealogist, and historian and apparently wrote a history of the New England Historic Genealogical Society.

Dartmouth Traditions was published when Hill was a junior. The book is not really about traditions and probably would be better titled Dartmouth Worthies. It is a collection of essays written by students and alumni. While the essays on Daniel Webster and other known personages are not very useful, some essays appear the contain information that is only available in this book. Examples are the report on the investigation into the history of the Lone Pine and the first-person account of the drowning death of Harriet Beecher Stowe’s son.

About this Project

The transcription of this somewhat hard-to-find book began in 2003. The book has since become available in Google Books, which somewhat defeats the purpose of the project. The Google Books version has the great advantage of reproducing the attractive typography of the original, but its computer transcription is not as accurate as that of the version presented here.

[Update 05.13.2011: The Rauner Library Blog has a post on Hill, highlighting the Stowe episode.]

[Update 12.21.2010: Link to pdf posted.]

Jonathan Good wrote a proposal for a heraldic coat of arms for Dartmouth College in 1995. This website has linked to Good’s pamphlet at several locations over the years and is happy to host it once again.

As the proposal explains, the new symbol would be an adjunct to the existing coat of arms rather than a replacement for it.

The celebration of Dartmouth’s 250th anniversary in 2019 would be a fine time to adopt the coat of arms. At the last big college celebration of this kind, the 1969 bicentennial, the school adopted the lone pine device that has since become widespread.

The school might even petition the College of Arms for a grant of honorary arms, as has been done by George Washington University and Hampden-Sydney College.

A few of Scott Meacham’s own cut-and-paste efforts to render the proposed arms:

[Update 11.30.2010: GWU link corrected.]