The reimagining of the Hopkins Center

The megastructure of the Hopkins Center for the Arts forms the largest part of a zone that an essay on this site called Hopland or possibly SoWhee; lately the college has been calling this area the Arts District.

A project to renovate and expand the Hop has been the works for years. After a thorough arts master plan by Rogers Marvell and a thoughtful Hop expansion design by Bora Architecture, the college recently invited 15 firms submit designs; among the respondents it selected three finalists1Hop Project FAQ. and eventually chose the New York office of Snøhetta. That firm finished schematics in the fall of 2021,2Pierce Wilson, “Construction update: West End may encounter additional delays, East Wheelock cluster to begin renovations next summer,” The Dartmouth (12 October 2021). and in January of 2022 the trustees approved funds to complete the designs.3Dartmouth News.

The college unveiled the new designs on Thursday (see the college announcement, which includes a page devoted to the renderings, a page on some of the new spaces, and a FAQ page; the Snøhetta press release; the Valley News article;4 Alex Hanson, “Dartmouth details Hopkins Center for the Arts renovation plans,” Valley News (7 April 2022). and the Archpaper article5Matt Hickman, “Snøhetta shares first look of a reimagined Hopkins Center for the Arts at Dartmouth College,” The Architect’s Newspaper (8 April 2022).).

The announcement features five images of the Snøhetta design by the Argentine firm Methanoia:

  1. An oblique aerial view to the south, which gives the best idea of how the front additions relate to the existing complex;

  2. A view to the south, which shows the north facade additions. This image from Google Street View is an equivalent view of current conditions;

  3. An interior view to the south, which shows the new main entrance lobby with its stair leading up to the recital hall and the Top of the Hop. The site of this stair is currently a small courtyard. What seems to be a vestige of the existing Strauss Gallery is visible off to the right;

  4. An interior view of the recital hall facing north; and

  5. A somewhat generic interior view of the performance lab, which shows the renovated and raised Alumni Hall.

Detail

Detail of front facade rendering showing new main entrance.

The projecting front addition

The Snøhetta design, while focusing on some of the same inflection points as Bora’s design, takes the more radical step of setting up a new projecting addition off the front of the Hopkins Center complex. Although the basic idea of a projecting addition is not new (this post here showed such an addition in a master plan about 15 years ago), the adoption of an arbitrary non-axial orientation for this box is novel and important.

The new recital hall comes off Alumni Hall to the northwest at an angle that looks to be somewhat steeper than the angle by which Wilson projects off the complex to the northeast. The adoption of an angled alignment for the recital hall does a lot to break up rectilinear monotony of the block.

Although the recital hall will occupy the Zahm Garden site, “[a] fountain and war memorial now located in Zahm will be moved to other campus locations”6Dartmouth Releases Hopkins Center for the Arts Renderings.” The recital hall does not disturb the Minary addition to the Inn, although the rendering cruelly obscures Minary almost entirely behind a tree.

The recital hall is sheathed in glass at its front and rear and apparently is blind-walled wood elsewhere; the entire building is is decorated by a triangular-arched giant-scale tracery, also apparently made of wood.7The recital hall and potentially the large rear addition to the Hop seem to present a great marketing opportunity for the New Hampire forest products industry. These somewhat-Gothic triangular arches form a counterpart to the Moore Theatre’s round arches and its half-groin vaults and become the signature motif of Snøhetta’s set of interventions in the complex.

The creation of this western projecting counterpoint to the existing, iconic Moore Theatre on the east naturally implies a recessed joint between the two.

The main entrance

In Snøhetta’s design, the recessed joint between the new recital hall and the existing theater forms a new central entrance for the Hop. This makes a great deal of sense and, again, was advocated for in an essay here years ago. Even if students keep on using their shortcuts (or snowcuts) by entering the complex through Moore or Minary, this new entrance will provide clarity for the visitor and will allow the Moore Theatre finally to take on its own identity.

The images do not show any signage, but it would make sense to place the words HOPKINS CENTER in large letters above this new central entrance. We do know that at the Moore Theatre, “[t]he outdoor marquee sign will be reimagined as planners consider new opportunities to share programing information through multimedia signage.”8Hop Project FAQ.

Alumni Hall

Alumni Hall will be retained but its roof will be “raised” — demolished and replaced, surely — to allow the space to become a performance laboratory. “Alumni Award winners recognized on plaques in Alumni Hall will be recognized in Blunt Alumni Center.”9Hop Project FAQ.

The large unremarked rear addition

Bora proposed a new theater addition for the Hop’s existing Hood-side courtyard (of Courtyard Café fame), but Snøhetta does not: “The Courtyard Café will remain in the redesigned Hop[.]”10Hop Project FAQ. Instead, Snøhetta appears to site a large rear addition, described as containing “space for students,”11Renderings page. in the vast parking lot that lies behind the Inn and along the buildings of South Main Street. This is a place that has been crying out for construction many decades, but the addition will also take with it a part of the existing Hop, the small east-west block containing the HBs. The college does seem to have devoted some attention to this:

Hinman boxes are no longer used by students, who have been raised on digital communications and often receive packages far too large to fit in a Hinman box. Because the boxes hold a special place in the hearts of generations of Dartmouth alumni, sections of the boxes will be kept and memorialized in the new building.12Renderings page.

Conclusion

Judging from just the five renderings, the impressive design strives for a high-minded timelessness rather than subsuming itself entirely to Wallace Harrison’s vision or being content with tinkering at the margins. Now what we crave are floorplans.

References
1, 8, 9, 10 Hop Project FAQ.
2 Pierce Wilson, “Construction update: West End may encounter additional delays, East Wheelock cluster to begin renovations next summer,” The Dartmouth (12 October 2021).
3 Dartmouth News.
4 Alex Hanson, “Dartmouth details Hopkins Center for the Arts renovation plans,” Valley News (7 April 2022).
5 Matt Hickman, “Snøhetta shares first look of a reimagined Hopkins Center for the Arts at Dartmouth College,” The Architect’s Newspaper (8 April 2022).
6 Dartmouth Releases Hopkins Center for the Arts Renderings.”
7 The recital hall and potentially the large rear addition to the Hop seem to present a great marketing opportunity for the New Hampire forest products industry.
11, 12 Renderings page.

Anticipating the Hop renovation

During 2012 and 2013, the Portland, Oregon firm of Bora (formerly Boora) designed a tidy set of infill additions to the Hopkins Center. Architect Stephen Weeks describes the designs:

Master plan and concept design for the transformation of the iconic Hopkins Center for the Arts at Dartmouth. Plans include a new performance laboratory to support cutting-edge multidisciplinary research, rehearsal and performance. New studios for music, theater, and visual art; student study/social space; and a new student dining facility will revitalize the historic Wallace Harrison designed building facing Dartmouth Green.

The college, preoccupied with the Hood project, did not move forward with any design at the time. As of late 2016, there was still no immediate intention to carry out the renovation (Valley News).

The Hood is scheduled to open in January, and there is word that the Hop is preparing for renovations to take place during 2019 (Valley News). (There is no word on whether these renovations are the ones designed by Bora.)

Hargreaves Associates landscape architects have posted elaborate images of a redesign of the Hop’s forecourt, meant to create an entrance to the overall “Arts District.” This unexpected design sort of domesticates the Hop, making its forecourt more like that of Baker: a lawn crossed by paths. (The firm’s description characterizes the project as bringing the Green across Wheelock Street, which is right.) The design resolves the problem of what to do with the rectangular fenced grass plot in front of Zahm, an off-limits remnant. The outdoor stair to the Hop Terrace is a superb and long-overdue intervention. This project is presumably on hold until the Hop renovation ends.

Some campus photos and notes

Steam Tunnel access grate on the Green, Google Street View

Steam Tunnel access under Green, Meacham photo

Steam Tunnel access grate on the Green, underside

The first stage of the steam tunnel’s construction, south of this grate, was a test meant to determine whether such a project would be economical in a ledge environment.

image

North bank of HBs at former entrance to Hop, view to west

Until recently, students entered the Hop at the end of the room. The entrance was closed off and a replacement of the same configuration built just to the north.

Hop interior at Minary entrance, Meacham photo

The new Hop entrance, view to northwest onto Zahm/Memorial Garden

(Have the memorial plaques attached to the Inn there been moved to Memorial Field? That would make sense. This is not their first location anyway.)

Triangle House, Meacham photo

Triangle House entrance (west) facade

Even more than the society houses on the south side of Webster Avenue, Triangle House has a well-used student entrance on one side, shown here, and a formal street entrance on the other.

LSC bike pavilion, Meacham photo

LSC bike pavilion

This elaborate bicycle shelter for the Life Sciences Center joins a couple other pavilions in the area.

Gilman plaque, Meacham photo

Plaque moved from Gilman to LSC

LSC name lettering, Meacham photo

The town changed the street address of the building to get it to match.

A Thayer garage on Wheelock Street?

  • Planning for the Sestercentennial is starting in earnest (Dartmouth Now).

  • Check out the West Wheelock massing study by UK Architects, part of the gateway district process.

  • The locker rooms in the Sports Pavilion, one of the only buildings on campus that is not named for anyone, are slated for enlargement (Valley News interview with Harry Sheehy).

  • The school has considered expanding Thompson Arena by excavating under the stands (Valley News interview with Harry Sheehy).

  • The Rauner Blog has a post on the centenary of the death of Richard N. Hall.

  • Don’t forget about the 1966 Webcam on the roof of the Inn.

  • The Dartmouth song “Son of a Gun for Beer” would seem to share a history with this song about the Hebron YMCA recorded on a wax cylinder and described as a Harvard song. “A Son of a Gun” with its current arrangement by Crane appeared in the 1898 Dartmouth songbook attributed to an anonymous author1Edwin Osgood Grover and Addison Fletcher Andrews, Dartmouth songs: a new collection of college songs (1898), 60. Historian Patricia Averill connects the song’s origin to the “Itsy Bitsy Spider”! That song originated in 1817 as “The Rambling Soldier” and was published in 1870 referencing a “son of a gambolier.”2Patricia Averill, Camp Songs, Folk Songs (author, 2014), 232 There is an 1891 reference to “A son of a gambolier, / A son of a gun for beer.”3Henry Collins, “Notes from an Engineers’ Camp,” Lippincott’s Monthly Magazine (September 1891), 374, available at Google Books. Georgia Tech’s “Rambling Wreck” version was printed in 1908.4Averill.

  • Thayer School is thinking of putting a parking garage on West Wheelock Street in place (presumably) of the college-owned apartment buildings there (Planning Board minutes 17 November 2015 pdf). Interesting!

  • Neat topics that are covered in Wikipedia: moonlight towers, low-background steel, Manhattanhenge, ghost stations, trap streets and other fictitious entries (copyright traps), and freedom of the city.

  • In the discussions of Dartmouth’s Lone Pine let’s not forget another piece of stylized vegetation from the Sixties: the flag of Canada.

  • Details on the Baker Tower renovation (Planning Board minutes 3 November 2015 pdf):

    The project includes: replacing the roof, restoring windows, replacing clock
    controls/hands/glass, replacing lighting and addressing issues with lighting, installing electronic controls for the bells, replacing the spire, stopping water infiltration, and cleaning masonry grout.

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References
1 Edwin Osgood Grover and Addison Fletcher Andrews, Dartmouth songs: a new collection of college songs (1898), 60.
2 Patricia Averill, Camp Songs, Folk Songs (author, 2014), 232
3 Henry Collins, “Notes from an Engineers’ Camp,” Lippincott’s Monthly Magazine (September 1891), 374, available at Google Books.
4 Averill.

The plaques are back at Memorial Field

The rededication of the memorial plaques that had been returned or relocated to Memorial Field took place last weekend (Alumni Relations press release, Events notice).

The green wall on which the various plaques are mounted faces westward from behind the brick arches of the West Stands. A new circular logo-like relief sculpture by Dimitri Gerakaris ’69 bearing the motto “THE HILL WIND KNOWS THEIR NAME”1The phrase is a reference to a line in the “Alma Mater,” which is a version of the poem “Men of Dartmouth” (“The still North remembers them, / The hill-winds know their name, / And the granite of New Hampshire / Keeps the record of their fame.”). Richard Hovey, “Men of Dartmouth,” in H.J. Hapgood and Craven Laycock, eds., Echoes from Dartmouth (Hanover, N.H., 1895), 12. is an organizing feature; it was donated by the Sphinx Foundation.2The Foundation, of whose board Gerakaris has been a member, maintains the Sphinx Tomb. Its other purposes include being a “reservoir” of college history and preserving the educational ceremonies of the Sphinx (it conducts a “formal annual course on Dartmouth and Sphinx history and tradition” for members). Getting good Internet access through the poured-concrete walls of the tomb must be tough, and indeed one of the group’s accomplishments is the maintenance of “the building’s wireless and high speed conductivity to ensure the Sphinx Building provides the strongest support for undergraduate academic activities.” Those activities include using the library and study stations and engaging in “extensive peer driven learning experiences” (2013 Form 990 PDF). Gerakaris, of Canaan, is the sculptor of the rugby relief on the chimney breast in the Rugby Clubhouse.

The Big Green Alert Blog has a photo of each plaque. The post-1920s plaques were moved here from elsewhere. For pre-1920s plaques, visit Webster Hall, where an Alumni Association plaque lists the 73 Civil War dead and a Class of 1863 plaque lists the 56 class members who served in the Civil War. The two plaques were installed in 1914, about six years after Webster Hall was finished.

Dartmouth does not seem to have a war memorial for any earlier war, and Charles T. Wood’s The Hill Winds Know Their Name (pdf) does not list any. Dartmouth certainly could have a monument to past and future college students and officers who fought in the Revolution; students of Moor’s Charity School are actually more prominent in that war than are Dartmouth students, and at least one (Joseph Brant) took part in both the French & Indian War and the Revolutionary War.

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References
1 The phrase is a reference to a line in the “Alma Mater,” which is a version of the poem “Men of Dartmouth” (“The still North remembers them, / The hill-winds know their name, / And the granite of New Hampshire / Keeps the record of their fame.”). Richard Hovey, “Men of Dartmouth,” in H.J. Hapgood and Craven Laycock, eds., Echoes from Dartmouth (Hanover, N.H., 1895), 12.
2 The Foundation, of whose board Gerakaris has been a member, maintains the Sphinx Tomb. Its other purposes include being a “reservoir” of college history and preserving the educational ceremonies of the Sphinx (it conducts a “formal annual course on Dartmouth and Sphinx history and tradition” for members). Getting good Internet access through the poured-concrete walls of the tomb must be tough, and indeed one of the group’s accomplishments is the maintenance of “the building’s wireless and high speed conductivity to ensure the Sphinx Building provides the strongest support for undergraduate academic activities.” Those activities include using the library and study stations and engaging in “extensive peer driven learning experiences” (2013 Form 990 PDF).

Photography at the 1904 visit of the Earl of Dartmouth

Icon1647-0645-0000020A Icon1647-0645-0000023A

These two photos from the Archives show the arrival of the Earl of Dartmouth in 1904:

Combination of two photos of Earl of Dartmouth 1904

The photos were taken from the steps of Casque & Gauntlet looking east toward the Inn. The righthand photo is the earlier of the two, and the Earl’s carriage appears in both photos. The student with the white collar striding down the walkway in the righthand photo is also visible at the edge of the left photo.

In the left photo a professional photographer is visible, standing on a stepladder behind a large camera. He might have a cigar in his mouth.

What kind of image did he capture? Here is a photo he took a few seconds after the two photos above; the Earl’s carriage has already rounded the corner:

panorama of Earl of Dartmouth at Inn Corner, American Memory

This photo is from the Library of Congress, which lists the copyright holder as E. Chickering & Co. A slightly cropped version of this photo is available in the Dartmouth Archives.

The Old Stage Coach

In the fabulous Alumni Magazine archives one sometimes comes across photos and descriptions of “the Old Stage Coach.”1”The Old Stage Coach,” Dartmouth Alumni Magazine (December 1929), 96.

The 1852 Concord Coach was used to haul people to and from train stations at Norwich (Lewiston) and White River Junction and to take fraternity groups to their banquets at inns in neighboring towns and so on.2Frederick H. Burleigh, “Reminiscences of an Old Dartmouth Stage Coach,” Dartmouth Alumni Magazine (December 1929), 110-111.

coach in old viewbook

As the coach became more old-fashioned, its use became more ceremonial, and it was used to give athletic teams a notable sendoff or arrival. The Archives has an excellent photo of the coach in front of the Wheelock Hotel (pre-Inn) in 1897, carrying the baseball team, and a faded photo of the coach carrying Casque & Gauntlet members (and dates?) in 1898, possibly at a baseball game.

coach in postcard

The coach appears behind a wagon in this ca. 1901-1912 view.

The coach’s last use was about 1912, and in 1929, not long after being spared destruction in a student bonfire, it was placed in the college museum in Wilson Hall.3Burleigh. I do not remember the coach from the early 1990s, and it does not seem like the sort of thing the museum would keep around, especially after Wilson became overcrowded or the Hood Museum was built.

And yet the Hood did not get rid of the coach until the fall of 2012! The deaccession pdf explains that it went to a good home:

Transferred to Abbot-Downing Historical Society, Hopkinton, NH, which is dedicated to preserving the history of the Abbot and Downing companies and the Concord Coach, which they manufactured.

The society features the spruced-up coach on its home page.

——

References
1 ”The Old Stage Coach,” Dartmouth Alumni Magazine (December 1929), 96.
2 Frederick H. Burleigh, “Reminiscences of an Old Dartmouth Stage Coach,” Dartmouth Alumni Magazine (December 1929), 110-111.
3 Burleigh.

Will everyone still walk under the porte-cochere?

More details on the Inn’s end of the East Wheelock sidewalk:

The sidewalk will be pushed out 3.5′ from its current location. A higher grade pedestrian zone will be provided near the Inn garage entrance. Radisch said the design approach is to create a pedestrian plaza that is shared by cars. The pavement of the porte cochere will be either colored concrete or exposed aggregate. Pavement and pedestrian crossings will be at the same grade.1Planning Board, minutes of meeting (3 June 2014), pdf, 6.

The Appalachian Trail plaque in the sidewalk will be moved as well.

It does sound like a good plan, having the cars share the plane of the sidewalk, but one wonders whether pedestrians will follow the intended route. Seeing two cars just sitting under the existing porte-cochère, or two empty “travel” lanes, a lot of people might take the shortest route.

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References
1 Planning Board, minutes of meeting (3 June 2014), pdf, 6.

Preservation and the Mobility Hub

Dartmouth is somewhat notable because its buildings are completely absent from the National Register of Historic Places. The Sphinx Tomb, privately owned, is on the Register, and the college’s Orozco Murals are listed as a National Historic Landmark, but no college building or historic district appears on either list.1No policy against listing seems to exist; the absence might result from a combination of inertia, suspicion of potential regulation, and cost concerns. Occasionally, proponents of listing also are surprised to learn that the school’s principal building, Dartmouth Hall, was completed in 1906.

Thus interesting things happen when a construction project with federal involvement triggers a review under Section 106 of the National Historic Preservation Act. The construction of the Ledyard Bridge prompted some research on the riverbank and West Wheelock Street, and the current Mobility Hub is going to change things right in the center of town, so it is undergoing a review as well.

Hartgen Archeological Associates is doing the Section 106 work for this project. The report of a meeting last November reveals an intriguing discussion about the Area of Potential Effect of the Mobility Hub:

The APE is generally described as including the plaza in front of Hopkins Center, the spaces internal to Hopkins Center and Hanover Inn overlooking the plaza, Dartmouth Green, the four streets around Dartmouth Green, and the “frontyards” of the buildings around Dartmouth Green.2New Hampshire Bureau of Environment, Conference Report of Monthly SHPO-FHWA-ACOE-NHDOT Cultural Resources Meeting (14 November 2013), pdf, 17.

L Black recommended looking at Dartmouth College as a potential Historic District with added emphasis on the APE. J Edelmann asked if the college had ever looked into such a thing and J Whitcomb stated that have not and that there isn’t real interest in doing so. J Whitcomb did state that the college has an inventory of buildings, but not to a National Register level of detail.3Report, 17.

Concerns were raised that a large scale look at the campus as a whole for Historic District consideration would be well beyond the budget of the project. A suggestion was made for the use of a “hybrid” form. After continued discussion it was generally agreed that the important elements to document are those that define the character of the APE. These include, but not necessarily limited to, building façades, building architectural style, landscaping treatments, hardscape treatments, and other elements that contribute to the overall context of the APE.4Report, 18.

It is worth noting that the Secretary of the Interior’s Standards discourage the imitation of historical forms and styles in new construction, so the final bus shelter is not likely to look like it was designed by Wallace Harrison.

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References
1 No policy against listing seems to exist; the absence might result from a combination of inertia, suspicion of potential regulation, and cost concerns. Occasionally, proponents of listing also are surprised to learn that the school’s principal building, Dartmouth Hall, was completed in 1906.
2 New Hampshire Bureau of Environment, Conference Report of Monthly SHPO-FHWA-ACOE-NHDOT Cultural Resources Meeting (14 November 2013), pdf, 17.
3 Report, 17.
4 Report, 18.

Bus stop construction begins; other items

  • The Innovation Center in 4 Currier has opened (Dartmouth Now). The design appears to be by Truex Cullins, who did the original building.

  • A little film introduces Perdido, the new sculpture on East Wheelock.

  • The Alumni Magazine has put up its electronic archive of every issue since the October 1905 Dartmouth Bi-Monthly, edited by E.M. Hopkins.

  • The post here on the topic of the new bus stop at the Hop complained about the sidewalk in front of the Inn. It turns out that that area is going to be reworked as well (Dartmouth Now). The sidewalk is growing, according to DCREO associate director of real estate Tim McNamara:

    The planned changes to the sidewalk and surrounding areas will effectively create two lanes as well as smoothing out the frost-heaved sections of sidewalk.

    “At present, pedestrians walking down East Wheelock have to pass under the porte-cochère,” says McNamara. “We will relocate the sidewalk to the outside of the porte-cochère so that pedestrians will not conflict with cars and guests coming and going from the Inn.”

    Moving the curb line out beyond the street’s current shoulder will also allow expansion of the Inn’s outdoor dining.

  • The Hopkins Center’s iconic Moore Theatre facade is also getting new double-pane windows (Dartmouth Now) ahead of the planned expansion and renovation. The D has a photo. (The Planner’s Blog has a post on the project)

  • Lebanon Junior High (J.F. Larson) is being renovated and reused, in part as the Spark Community Center. Studio Nexus is working on the building.

  • Project VetCare has purchased the 1907 house at 80 Lebanon Street and plans to rent rooms to three or more student veterans (Valley News). It’s the brown bungalow at the center of this Bing bird’s-eye view.

  • More great aerials: the Shower Towers and Kiewit, showing the committed but incongruous Bradley Plaza, and a 1919 photo of the Green showing the big tent set up for the 150th anniversary celebration. Most intriguing are this aerial and this aerial of Dartmouth Hall on fire in 1935. That was the fire that led Larson to gut the 1906 building and insert new floors and interiors, and to put up the current belfry and the three front gables showing the notable years.

  • One is relieved to see the College Usher (Dean of Libraries Jeffrey Horrell) identified as such in a Commencement photo showing him carrying Lord Dartmouth’s Cup.

  • A tidbit from the biography of the late David McLaughlin, Dartmouth President from 1981 to 1987. On the elimination of fraternities and sororities:

    In hindsight, I am convinced that the wrong approach was taken. Having been in a unique position to restructure the fraternity system, I should1David T. McLaughlin with Howard J. Coffin, Choices Made (Hanover, N.H.: Privately printed 2007), 135. have been more decisive early in my presidency, during my “Honeymoon” period. Perhaps I could and should have eliminated the fraternities in their current form and redefined them — brought about some positive fundamental restructuring of the campus social system. Neither my predecessor nor my successors had such a golden opportunity, both being non-Dartmouth alumni and academics and, therefore, suspect from the outset, by alumni and students, as men having little, if any, use for the Greek system. But football-playing, fraternity-member David McLaughlin was a different story. Oh, the howling would have been long and loud, and many on the board would undoubtedly have opposed me, but I believe that I could have brought a majority of my fellow trustees along with me. What I should have said, quite emphatically, in that inaugural speech of mine was, “Dartmouth needs to dismantle fraternities as they exist today.”2David T. McLaughlin with Howard J. Coffin, Choices Made (Hanover, N.H.: Privately printed 2007), 136.

  • The Hood now has put up a page on the expansion, with no new info since June 11.

  • Memorial Field construction is set to begin November 17 and finish by September 1 (Planning Board minutes pdf).

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[Update 07.29.2014: Link to Planner’s Blog post added.]

[Update 07.22.2014: Link to photo of Hop windows added.]

—–

References
1 David T. McLaughlin with Howard J. Coffin, Choices Made (Hanover, N.H.: Privately printed 2007), 135.
2 David T. McLaughlin with Howard J. Coffin, Choices Made (Hanover, N.H.: Privately printed 2007), 136.

The Hanover Mobility Hub is what it’s called

The conceptual design by ORW, which won a design award from Vital Communities, shows a redesign and replacement of a group of features in front of the Hop: the pedestrian crossing, bus loading area, bus shelter, empty grass rectangle, etc. It will be a partly-federally funded Town project built on College land by an architect chosen by the College. Even though the original timeline aimed to finish the work in 2013 (Request for Qualifications pdf), it was not built then, but it looks like it was in design last fall (UVLSRPC minutes) and is out for bids now (Construction Data Company).

detail from ORW concept plan

Everything in the proposal is sensitive and unobtrusive, but one should note that this project will affect the appearance of the Hopkins Center. (In fact this will be one piece in the great parade of architectural interventions in the south side of the Green of 2012 through 2020.) During the warmer months, a dense block of trees here would hide several parts of the Hop, setting up the Moore Theatre as an independent pavilion — not necessarily a bad thing, and perhaps a good stopgap until we receive a full and true Hop addition, one that brings the building right up to the street.1If the Hopkins Center were less of a suburban arts island and more of a conventional urban building (see 7 Lebanon Street), there would be no need for a warming shelter here. The business end of the Hop — everything on this facade except for the theater entrance — would come right up to the street alongside the Inn, and it would provide plenty of commercial rental space for a newsstand or a coffee shop that catered to bus travelers.

Paving

The Site Plan Concept by ORW (pdf page 4) is impressive. The most noticeable change might be the grove of trees. With a pea-gravel floor, this outdoor room screened by two ranks of trees arranged formally on axis with Wilson’s entrance (and a realigned set of Hop plaza steps) will be novel and interesting and civilized. This allee could be exquisitely beautiful in the winter with snow on the bare limbs and the tables.

The street improvements (bulbs, insular pedestrian refuge near the site of the former grassy median) are all important. The crosswalk has a note indicating that it is aligned with an axial view of Baker Library. One proposal is pretty subtle: the use of plaza paving materials (concrete pavers, say) in place of asphalt in the bus/dropoff zone. This is crucially important in reducing the perceived width of the street: Hanover is not that big, and it doesn’t need a five-lane street below the Green. Here’s hoping the paving proposal is realized. (Even if not, the plan will still remove the diagonal parking in front of the hop — good riddance.)

Maybe after this is built and enjoyed for a few years the Town will go further by raising the street level and bollarding off the plaza and the Green. The same thing should be done with the Inn’s porte-cochere and its garage ramp.2At the moment these two asphalt drives are intrusions of the street into the sidewalk, not small portions of the sidewalk opened up to cars. The paving is opposite what it should be (Street View). In both cases, the sidewalk paving should extend all the way down to the street’s edge, and the boundary line should be located there. The existing bollards and floor level/lack of curbing are appropriate, however.

Pavilion

One neat detail is a bit hidden: a little visitor’s information pavilion. In the site plan on page 4 it’s obscured by trees but is described as measuring 12 x 15 feet. On page 5 its side is shown as if seen from Wilson Hall.3In the perspective view on page 6 the pavilion is a bit hard to read. It is the dark glass box whose roof is the same height as that of the seating area in the foreground. The tall glass box near the center appears to be a possible Hop addition. The document is from July of 2011.

I imagine this pavilion helpfully blocking the wind in the winter but spending most of its time enclosing a few desultory racks of brochures for Quechee Gorge and Simon Pearce. It could replace the staffed, temporary kiosk that the Chamber of Commerce puts on the Green each summer [check]. But it could be much more: you can see its potential in the photo in the lower right part of page 3, the one showing the café tables and the menu board.

This pavilion could be a little coffee kiosk, a snack bar, or even a real bar, serving drinks out of a window.4For that matter, couldn’t the Inn breach the eastern wall of its patio and start serving people who sit under the trees here? Not quite the Tavern on the Green or even the Out of Town News in Cambridge, but certainly at least as good as a sandwich kiosk in Bryant Park.

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References
1 If the Hopkins Center were less of a suburban arts island and more of a conventional urban building (see 7 Lebanon Street), there would be no need for a warming shelter here. The business end of the Hop — everything on this facade except for the theater entrance — would come right up to the street alongside the Inn, and it would provide plenty of commercial rental space for a newsstand or a coffee shop that catered to bus travelers.
2 At the moment these two asphalt drives are intrusions of the street into the sidewalk, not small portions of the sidewalk opened up to cars. The paving is opposite what it should be (Street View). In both cases, the sidewalk paving should extend all the way down to the street’s edge, and the boundary line should be located there. The existing bollards and floor level/lack of curbing are appropriate, however.
3 In the perspective view on page 6 the pavilion is a bit hard to read. It is the dark glass box whose roof is the same height as that of the seating area in the foreground. The tall glass box near the center appears to be a possible Hop addition. The document is from July of 2011.
4 For that matter, couldn’t the Inn breach the eastern wall of its patio and start serving people who sit under the trees here?

Ravine Lodge upgrade study; other news

  • It does seem a little strange that Dartmouth is replacing the roof over the Karl Michael Pool in Alumni Gym (see The Dartmouth) so soon after the 2006 renovation. It turns out that the roof insulation failed some time ago, and the college sued the renovation architects and builders back in 2012 (see the order on preliminary motions pdf; the Union Leader article). The suit is ongoing.

  • Charles Collis has died at age 99 (The Dartmouth).

  • Dartbeat has a Q&A with dlandstudio architect Susannah Drake ’87.

  • Two items from the Planner’s Blog: New chairs with built-in writing tablets to replace the old ones in Dartmouth Hall, and a new paint scheme for the pedestrian refuge in the middle of Wheelock Street by the Hop. On the Planning Board agenda for June are a request to modify site plans for a renovation of the porte-cochere area of the Inn and a review of the site plan “for vehicular, pedestrian & bus stop improvements” in front of the Hop.

  • The new (replacement) Class of ’65 Bunkhouse at Moosilauke is being designed by Maclay Architects (prospectus pdf). Timber will come from the college wood at Corinth Vt. (Grant newsletter pdf). The same firm is evaluating the state of the Ravine Lodge itself in anticipation of extensive future work (The Dartmouth).

  • The Hill Winds Know Their Name (pdf) is a beautifully-produced booklet by the late Professor Wood about the college’s war memorials. One suggestion for the next edition of this valuable work involves the transcription of the Stanley Hill inscription on page 13:

    IT IS DEDICATED IN HIS NAME TO THE BRAVE AND CLEAN OF HIS BELOVED DARTMOUTH

    It should read:

    IT IS DEDICATED IN HIS NAME TO THE BRAVE AND CLEAN YOUNG MANHOOD OF HIS BELOVED DARTMOUTH

    (See the shower room plaque; see also Kenneth C. Cramer, “Dick Hall and His Friends,” Dartmouth College Library Bulletin (April 1992).)

  • Interesting examples of public or urban typography from Tobias Frere-Jones.

  • A Google aerial shows the preparation for the sorority construction on Occom Ridge, and an earlier Street View captures the OnTarget guy marking utilities on the sidewalk.

  • Who knew there were so many new senior societies? The official ORL page lists a couple “new” ones that have survived (Abaris, Griffin/Gryphon) along with several even newer ones (Andromeda, Chimera, Olympus, Order of the Sirens).

  • The new Hop entrance under the Inn’s Grand Ballroom (Street View) was labeled “Minary Conference Center” when it was finished last year (see the image at the DUSA page). Perhaps it makes sense, since that is the most direct route to the conference center. One of these days someone will build a real, direct, and prominent entrance to the Hopkins Center proper.

  • Remember John Flude, the London pawnbroker who had a large medal engraved and sent to the president of Dartmouth in 1786? (See Dick Hoefnagel, “John Flude’s Medal,” Dartmouth College Library Bulletin (November 1991).) Here’s his testimony in the Old Bailey regarding one James Smith, indicted for stealing on July 10, 1764 a gold ring from Flude’s shop:

    When he was gone, I opened the paper to look at my ring, and found I was deceived; I ran out, and happened to take the right way: I ran up Hart-street, and at the upper end I saw him; when I had been twenty or thirty yards in Monkwell-street, he run as hard as he could, and turned into Silver-street; I pursued him into the Castle and Faulcon yard: he stopped running, and was opening the paper to look at the ring: I got up to him, and laid hold of him, and said, my friend, you shall not drop the ring: I took hold of his hand, and led him to the first public house I came to, and desired Mr. Hayns, who was there, to open the prisoner’s hand; he did, and there I took out my ring: bringing him back in Monkwell-street, he desired I would not take hold of his coat to expose him, saying, he had a great family; I let go his coat: when we came to the corner of Hart-street, he endeavoured to escape, and ran as hard as he could; and we took him again in Wood-street.

    Smith was found guilty of stealing.

  • Vermont windows

    • An update of the “North Block” golf course development idea: Take a look at the Perkins + Will plan for the Poplar Point Development In Washington, D.C. Naturally Dartmouth wouldn’t need this density or scale, but it could learn from the extension of the existing street grid to form irregular quadrangular blocks; the treatment of the edge condition (the Anacostia River); and the accommodation of streams flowing through the site.

    • An update of the Hop expansion post: Of course! The new theater and entrance facade represent the final realization of Larson’s old 1940s Hop designs. In this post, a still image from a college video shows how Larson wanted to put a theater and a major entrance to the Hopkins Center on what was then College Street. And the Dartmouth has an article on the Boora project.

    • I did not learn until recently that this memorable window, visible on the way to Hanover from West Leb, is called a “Vermont window” or a “witch window” (Wikipedia):


    • Dartmouth has been phasing out the “@alum.dartmouth.org” accounts and assigning everyone, past and present, an “@dartmouth.edu” address (only the address, not an account). This is neater than the old dual system where students had one address/account and alumni another. When the “@alum.dartmouth.org” accounts came in (during 1995 or 1996?) they seemed like an awkward solution. The rationale for creating the new domain was that Dartmouth was barred (by its interpretation of the government’s pre-ICANN rules, one supposes) from using the “.edu” domain for accounts assigned to anyone but employees and students. Yet Harvard came out with its “@post.harvard.edu” domain around that time, so it is hard to see that as the reason.

      Although it was fun to use Blitzmail after college, the need for a personal, ISP-independent email account was soon satisfied more effectively on the Web by Hotmail (1996) and Yahoo Mail (1997). Students responded with WebBlitz (1998 or 1999?) but I don’t recall that it prevented the alumni accounts from slipping into some obscurity. The susceptibility of the alumni accounts to great volumes of spam did not help.

    • The Rauner Blog has a post on Sgt. Allen Scott Norton of WWI with photos of the trenches dug on the future site of Leverone Field House or Red Rolfe Field.

    • The Planner’s Blog has a post on a new war memorials map.

    • Finally a photo of new Hop entrance below the grand ballroom — and the ever-shrinking Zahm Courtyard. It is included in the war memorial map.

    • The College Steward was a charter office first held by Ebenezer Brewster, who established the tavern that preceded the Inn. I’ve wondered if the office could be revived, and whom it should be given to. Contemporary college statutes from England (Downing College Cambridge, published in 1800, in Google Books) suggest that a steward was the head of dining services:

      STATUTE XI.

      OF THE STEWARD.

      THERE shall also be one Steward appointed annually by the Master, from among the Professors and Fellows, to direct every thing which relates to the Commons and Sizings to be served in the hall at dinner and supper, and the wine and other articles provided in the combination room. He shall make all payments in respect of such Commons and Sizings to the Cook and Butler of the College, at such times as shall be appointed by the Master, and shall receive the same from the Tutor, within one week of the end of every Term, for all his Pupils who have been in Commons during the Term; and for all other persons in Commons, he shall be paid by themselves in the same time.

    • The Grad Studies Office has a photo of the professionally-made sign in its renovated 37 Dewey Field Road. (In the recent interior renovation, references to 37 Dewey Field Road seem to encompass both 37 and 50 Dewey Field Road, the old Homes 37 and 50.)

    • Insignia: From a College Grant photo album (pdf), page 20, we learn that

      The “Diamond D” log brand was stamped with a hammer into all logs leaving the College Grant so they could be identified upon reaching the sawmill.

      Unrelated: The clever Europhilia of Football as Football. And it is funny how the Maryland governor’s “Goals” website logo recalls the RAF roundel:


    • Dartmouth Now has an article on the up-close inspection of the exterior of Baker Tower.

    • Congratulations to The Dartmouth on its new website. Here’s hoping the upgrade doesn’t involve a new URL for every past article. This site has more than 220 broken links to the D at the moment.

    —–
    [Update 05.03.2014: Broken link to Maryland veterans page replaced.]

    The Wilson Hall Elm has fallen

    The Alumni Office’s twitter account has a photo of the huge elm tree on the ground in front of the Hood Museum. The Valley News reports that the tree struck Wilson as it fell, but it sounds like the damage is minor.

    On the bright side, this frees up Tod Williams and Billie Tsien as they redesign Wilson’s entrance.

    Other items:

    • The Hanover Crew’s boathouse is being built.
    • ORW designed the landscape for the Williamson Building at DHMC and has some nice images of the design.
    • ORW also has put up a project page for the transit hub in front of the Hop. The original design included a little heated pavilion.
    • The conceptual design for Boora’s Hopkins Center renovation was completed during Spring 2013 (OPD&PM).

    Organic Farm master planning, other topics

    • The Planner’s Blog announced that Maclay Architects of Vermont is working on a master plan for the Organic Farm north of campus. One proposed land-use diagram mentions a possible site for a child-care center.
    • Dartmouth Now has an article on the new restaurant in the Inn, located right at the southeast corner of the intersection of Main and Wheelock.
    • Wikimedia Commons has a nice reproduction of the unbuilt 1923 addition designed by Larson & Wells. Surely the firm’s only design in the Egyptian mode, the rear range placed perpendicular to the original building is difficult to read as anything but living quarters; the firm did a similarly large and even more domestic proposal for a newbuild Dragon around the same time.
    • The Rauner Blog has a post on George Stibitz and his remote operation of a digital computer in 1940. The terminal in Hanover was located in McNutt.
    • Vermont Public Radio has a story on the Ice Chimes sculpture. See also the unrelated Alumni Relations post on Carnival snow sculptures.
    • The Victor C. Mahler 1954 Visiting Architects Lecture is now bringing one architect to campus each year for a lecture, starting with J. Meejin Yoon (Dartmouth Now).
    • The Williamson is moving ahead at the DHMC complex (The Dartmouth, Green Building Council profile).

    Finally, a photo of the Inn’s ballroom addition

    The school’s Flickr photostream has a new set of photos covering the renovation and expansion of the Hanover Inn. As noted here a year ago, the construction of a “Grand Ballroom” in the Hopkins Center’s Zahm Garden seems as much an addition to the Hop as to the Inn.

    The first photo of this addition foreshortens the composition somewhat — the glass pavilion actually projects from the metal-clad box — but it explains the relationship of the various building masses.

    —–
    Update 05.03.2013: Another photo showing the new Hop entrance pavilion in the distance.